Here’s a clip by of what I consider rock’s greatest rhythm section, The Who. This song demonstrates the prowess of these fine musicians just prior to their prolific record releases of Who’s Next and Quadriophia.
I stumbled across an excellent collection on Youtube Channel called FolkSeattle, which has several excellent old black and white footage of legendary blues player. Here are the videos of one of my favorite duos – Sonny Terry and Brownie McGhee. In our days of modern technology and studio gadgets and trickery, it’s refreshing to see the power of 2 men, one acoustic guitar and harmonica. Enjoy!
Tape Op Magazine recently added their extensive 2004 interview with Rudy Van Gelder to their web archives. I highly recommend this interview for recording enthusiasts. Mr. Van Gelder was the man who recorded so many of the greatest jazz records of all time, including John Coltrane and his classic quartet recordings for Impulse Records.
Introduction to the Tape Op Interview:
Rudy Van Gelder’s legend looms large, yet he has avoided most interviews throughout his 50-plus years in the recording biz. He has never discussed his techniques, and even in the following interview he didn’t divulge details. Van Gelder is best known for the LPs he recorded in the ’50s and ’60s for the Blue Note and Prestige jazz labels. In his youth he built a recording studio in his parent’s house where he recorded Miles Davis and many others. Having outgrown the first home studio, he built his own recording studio/complex/home in Englewood Cliffs, New Jersey, which remains. The scope of Van Gelder’s work is unknown, but it’s a foundation for the maps, legends and history of the music of John Coltrane, Dizzy Gillespie, Herbie Hancock, Wayne Shorter and others. Van Gelder’s work is both intimate and mind blowing, and he might be the greatest recording engineer in jazz history.
Don’t forget to subscribe to Tape Op! In the U.S. there are free subscriptions for the print edition.
We lost another great. I had the pleasure of seeing Mr. Cocker back in the late 1980’s. For this particular show, I was lucky enough to have a front row and center seat. All I can say is Mr. Cocker did not disappoint. In fact, I always put this show in my top five all-time concert going experiences. Rest in Peace, Joe!
Steve Albini recently gave the keynote address at Melbourne’s Face the Music Conference about the state of the music industry. Steve Albini, unlike many prognosticators who long for the old days of record company dominance, sings the praises of our modern internet model. Here’s an excerpt from his speech from The Guardian.
I work every day with music and with bands and I have for more than 30 years. I’ve made a couple thousand records for independent bands and rock stars, for big labels and small ones. I made a record two days ago and I’ll be making one on Monday when I get off the plane. So I believe this puts me in a pretty good position to evaluate the state of the music scene today, as it relates to how it used to be and how it has been.
We’re all here to talk about the state of the music scene and the health of the music community. I’ll start by saying that I’m both satisfied and optimistic about the state of the music scene. And I welcome the social and technological changes that have influenced it. I hope my remarks today will start a conversation and through that conversation we can invoke an appreciation of how resilient the music community is, how supportive it can be and how welcoming it should be.
It is definitely worth reading the speech in its entirety. Albini makes some valid points, most of which I agreee. (Except for his bashing of Prince!)
In a recent post, I linked to some studio audio showing the creative process of George Harrison and the Beatles composing “Something.” As an added treat, here’s an excellent video with the isolated vocals of the final product. It’s really quite telling to hear the lush sounding vocals of Mr. Harrison along with Paul McCartney. Knowing this recording was made in days before autotune and modern studio trickery, makes it all the more impressive.
Hat Tip to the always excellent Bobby Owsinski’s Big Picture blog. If you are interested in recording and music production, you need to check his blog out!
We interrupt your musical programming for this brief rant about Spam.
Since I use WordPress for this blog and my regular website, I use the Spam catching plugin called Askimet. It works wonderfully weeding out all of the spam comments that most websites have to deal with on a daily basis. With Askimet, I can simply delete all of the spam with a simple
flush click. This is useful, considering how much spam I get. For example, at the moment, I have 381 spam comments current held by Askimet. (That is a 3 day accumulation!)
Sometimes I like to check out the contents of the spam comments before I delete them. I did this today and found some very strange comments. I suspect there are some issues with these spamsters with their English translation. Here are a few examples of the strange posts I find in my spam filter:
Someone from “Cheap Uggs” (WTF is an Ugg?) wrote the following messages:
It might appear a little bit of unfamiliar getting hold of your new my father big boy pants to have dad’s Day.
I studied the first magnetic generator somebody decided on.
Columbia used to sell large sweatpants which is need favourable rates, and yet that doesn’t look like leading them to presently,
Talking about waxing poetic, eh?
Someone named “Gospel” added:
F*ckin’ amazing things here. I am very satisfied to peer your post. Thank you a lot and i am taking a look forward to touch you. Will you kindly drop me a e-mail?
your dog’s first football casino shoe, the entire chat the superstar, was already released with 1917, although the man about your great outcomes Charles H Taylor was to enter the image a long time newer.
Anyway, you get the point. Thank goodness for Askiment!
End of Rant!
As a songwriter and a Beatles fan, I have always been curious about their songwriting process. The above audio file gives us a glimpse into the magic of writing “Something,” one of my favorite George Harrison compositions. Imagine showing your new song ideas to band mates like John Lennon and Paul McCartney.
Hat Tip to Tape Op’s Facebook page for this gem.
Here’s an excellent documentary about the legendary Fender Stratocaster and its influence on modern music. From the early days and the brilliance of Leo Fender, to the all-star list of players who testify to the prowess of the instrument, this Grenada TV documentary shows us why people love this style of guitar. On a side note, I am not sure why the YouTube description reads. “Mark Knopfler Curves, Contours and Body Horns.” Mr. Knopfler is featured in the program – but so are many other great players.
I was saddened to hear of the passing of Johnny Winter. I had the good fortune of seeing him a few years back and he was in top form.
Here’s a video, where he talks about his guitar technique and he tells stories about some of the legends he’s played with, including the great Freddy King.