I hope everyone’s summer is going well. Summer is the season of light blog posting. With that in mind, I thought I would post something a little different. Here is a video I found via the website, Dangerous Minds. It’s a “Death Metal” Version of the classic song from the movie, “Grease.”
I am not sure why this amuses me so much – but here you go:
Here’s a clip by of what I consider rock’s greatest rhythm section, The Who. This song demonstrates the prowess of these fine musicians just prior to their prolific record releases of Who’s Next andQuadriophia.
I stumbled across an excellent collection on Youtube Channel called FolkSeattle, which has several excellent old black and white footage of legendary blues player. Here are the videos of one of my favorite duos – Sonny Terry and Brownie McGhee. In our days of modern technology and studio gadgets and trickery, it’s refreshing to see the power of 2 men, one acoustic guitar and harmonica. Enjoy!
Here’s a cool video about that great guitar innovation – the Wah Wah pedal. I first took notice of the Cry Baby Wah Wah when I heard Jimi Hendrix’s amazing “Still Raining, Still Dreaming.” In my opinion, that’s the greatest Wah Wah song ever. Incidentally, I still have my original Thomas Organ Cry Baby Wah Wah, which I purchased brand new in the late 1970’s from Sabol’s Music Store in Wilkes-Barre, Pennsylvania.
I came across this video while browsing Dangerous Minds, one of my favorite websites. This is an incredible video that examines Miles Davis and his “Electric Period.” I found the program very informative, especially hearing from the musicians who knew and played with Miles. For musicians, there are many important lessons to be learned in this excellent video. To cap it all off, the 2nd half of the program (around the 43 minute mark) features Miles’ historic performance at the 1970 Isle Of Wight Festival. Enjoy!
https://www.youtube.com/watch?v=g33wjg9IbhMHere’s something I came across while browsing Youtube. I remember watchingDon Kirshner’s Rock Concert when I was a kid. I have no recollection of this episode, though. Maybe Black Sabbath was too much for my local TV station in Northeastern Pennsylvania. I consider it really amazing, seeing audience’s enthusiastic reception to Black Sabbath’s high energy performance. I especially like the band’s rendition of “Hole in The Sky,” from the underrated record, “Sabotage.”
Here’s the setlist:
2. Killing Yourself To Live
3. Hole In The Sky
5. War Pigs
Update – August, 2015 Unfortunately, the powers that be decided to remove the entire concert from YouTube Here’s a single song from the concert – an excellent rendition of “Snowblind.”
Here’s a fascinating video showing the genius of Brian Wilson during the Pet Sounds sessions. Wouldn’t Be Nice was the first song recorded for this classic album and this video gives us a glimpse into the complexity and brilliance of Wilson’s musical arrangement skills.
This is something to behold! This clip is entertaining and educational on so many levels. Note how the songs and the harmonies are constructed. This is how singing should be – from the heart without autotune. This video clip is a must watch for anyone who writes and arranges song!
This is a new feature I’m adding to the blog because I think it’s important to listen to a lot of different music. It’s my hope that I will help turn you on to an artist or recording you might not be familiar with.
First up is songwriter extraordinaire, Jill Sobule and her excellent recording, “California Years.” Songwriter’s take note and listen Jill’s songs. She is a master at her craft.
Here’s a video of Jill performing a song from the record, “Where is Bobbie Gentry.”
Here’s a clip with Simon Wood going through the original tracks from David Bowie’s classic song, “Space Oddity.” I always find it useful to hear the individual elements of the mix in order to gain a better understanding of the song as a whole. I am especially fascinated the supporting musical elements that make the song, what it is. Note the really excellent bass and drum interplay near the end of the song. H/T Drew Dundon.